发信人: henryxie.(琴佬)
整理人: bigfish(2002-01-12 14:57:13), 站内信件
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The Guitar Times:我们还想再谈一些有关右手的问题，例如关于轮指的演奏？有一个非常明显的问题就是噪音的产生和三个手指音色上的平衡……
To continue with the right hand, what about the tremolo, for example?
It's a major problem not to make noise and balance the three fingers...
David Russell:基本上，我在演奏时不会改变右手的位置。
Basically, I don't change my hand position.
要知道在我们演奏时，右手的位置可以有很多种变化，但是在轮指演奏时你必须要做到用a、m和i指在同一个位置进行弹奏。并且手指的运动必须要不影响手的运动。如果谁的右手上下跳动，那么他的轮指一定有问题。
Remember that when you play, especially with a lot of angle with the right hand, you have to be able to play the three notes a, m and i without having to change your hand, so it must stay in one place. The fingers must work without bothering the hand. For anybody who bounces, their tremolo will be a problem.
我认为，a指所演奏的音符的长度是相当重要的，而许多人的a指的音色要比m指和i指薄。因此你必须找到一个能够让你的a指音色好的位置，因为a指所演奏的是第一个旋律音符，我认为这是最重要的一点。这个音符必须要给出最大的音量，要演奏得尽量完美，音色要饱满，音符的时值要尽量长。有很多人在用a指弹奏时，m指已经跃跃欲试了，实际上这时m指的准备有些过早了。因此，轮指演奏不好的一个极为常见的现象就是a指的音符时值过短，这是一个很常见的问题。
So once you have that going, I feel that the length of the a finger note -the first note of the tune- is really important, and many people's a finger is thinner in sound than m and i. So you must get a position where your a finger is good, and because it's the first melody note, I think it's the most important. It mustn't be the loudest, it must be the most perfect, the rounder, the longer note if possible. Most people, when they pluck the a finger, the m is pulled in, and the m prepares too soon. So a very bad tremolo usually has the a finger note too short... it's very typical.
练习的方法之一就是将a指的音符时值变长。首先，在你的拇指弹奏同时用你的脚打拍子，随后在m指和i指演奏时打拍子。用脚打拍子能够有效地帮助你了解节拍。而当你一旦掌握了节拍的感觉，那么我想你演奏的轮指也会有所进步。
One of the ways of practising that is to make the a finger note longer :
first of all, tap your foot along with your thumb. And then tap it with the m or the i.
Tap your foot, because if you physically move, it will help you understand the beat. And once you've got that kind of feeling, I think it usually makes tremolo a bit better.
有些人在一弦和二弦上演奏轮指有很大的不同。我没有这种情况，原因是我在弹奏琴弦之前没有很大的移动，我的手指会在弹奏音符之前很靠近琴弦，而不会从上面去击打琴弦。
Some people use a very different tremolo on the first string than when they move on to the second string. I don't, because I don't have a lot of swing before I pluck, that is my preparation is very close to the string -I don't hit the string from above.
因此，我在一弦上和二弦上弹奏轮指时没有什么差别，因此有时我也会犯错误，弹到了其他的琴弦上，当然只要将手移动得比较接近琴弦并且弹到正确的弦上是不成问题的。
So basically I do the same on the first string as on the second, and although sometimes I make a mistake and hit the wrong string, it's not a problem for me to move close to the string and hit the right one.
我认为那些在一弦上可以演奏出非常精彩的轮指，而在二弦上则很糟糕的人，一定要设法在吉他上演奏出平衡的声音，这是非常重要的。
I think the people who flare with the right hand have a very good tremolo on the first string, and nothing on the second. We have to balance the guitar, we have many tunes that go across the string, so that's important.
许多人在演奏轮指时会有拇指的音符时值过长而a指的音符过短的现象。那么我认为你应该加强a指的练习，这样会有帮助。
Most people tend to play the thumb note too long and the a finger too late. So maybe you need to advance the a finger note. That will help.
在练习轮指演奏时，你也应该试着用大音量和小音量来弹奏。因为音色可以帮助我们表现旋律，就象一位歌手能够使用强有力的声音和轻柔的声音一样。在轮指演奏上，如果你能够自如地弹出饱满或是尖锐的声音，那么你一定可以表现好音乐旋律的感觉，而且我感觉这是非常值得你去实践的。
With tremolo, you should also practice softer sound, harder sound. Because the color of the note will help your melody just like a singer can use a harder voice or a softer one according to it. In tremolo, if you have the possibility of making it rounder or sharper, you can really affect the melodic feeling, and I think it's worth doing.
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