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发信人: rubyally(ＲＵＢＹ) 整理人: imrae(2002-11-30 10:37:00), 站内信件 |
| Crystal Clarity
VASE 1878 The major French glassmaker of the 1870s, François-Eugène Rousseau, produced work with strong references to Japanese art and to Chinese jade carving, in a style known in France as Japonisme. 
Neckpiece 1989 Giselle Courtney makes glass jewellery and small-scale sculptural objects using the technique of lampworking. 
Inner Worlds Winter Pear and Summer Pear 1993 Pamela Stadus casts glass sculpture in sand moulds, a method similar to that used for casting metal. In this process, a negative impression made in the surface of tray of sand becomes the positive or raised relief of the final work. 
Red Object 1995 Jane Bruce is an acclaimed glassblower who has concentrated her research and practice on the formal and expressive possibilities of the vessel, its form, function, decoration and history. 
Translucency Scene 1994 This work is constructed from laminated sheets of glass which are sandblasted to create an effect of icy translucency and painted in enamel pigments. It exemplifies this artist's style, which combines sculptural form with pictorial or painterly imagery. Kazumi Ikemoto is acclaimed for his dynamic and craggy forms that, upon close inspection, reveal intricately painted scenes of hybrid creatures, whimsical landscapes, and distant perspectives. 
Neckpiece 1989 James Minson is recognised as a consummate lampworker who makes jewellery in glass and mixed media 
Opaque Counterpoint "Alcor", vase 1983 Ettore Sottsass is one of the most expressive and original designers working in Italy and was the key figure in the Memphis group of designers, established in Milan in 1981. Their work was a vivid expression of post-modernism, a new approach to design that welcomed decoration and drew from popular culture and historical design. Sottsass designs in many materials for both mass and limited production of technical equipment, appliances, furniture and domestic objects. 
Teapot 1974 The influential American glass artist Richard Marquis first visited Australia in 1974, demonstrating his glassblowing techniques and advising on the establishment of glass workshops in several centres. His work strongly influenced a number of Australian glass artists. 
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